has handled the three on-and-off relationships this season looks downright mature compared to the weekly emotional chaos on the CW shows. That said, the way Agents of S.H.I.E.L.D. Not all tension in a story has to come from misery and loneliness. While it’s likely to happen occasionally, there’s still plenty of conflict that can be found without always resorting to driving a wedge between two characters. One of my biggest pet peeves about superhero shows is the cheap drama of constantly throwing wrenches into relationships. Similarly, Simmons, Fitz, and Yo-Yo all get really strong moments this episode, each grappling with their relationships. There’s still something stiff about her overall performance, but she deserves credit for all the work she’s had to do with her character. What’s more, but even this episode asks her to show a more human side in her initially calm interactions with Fitz, followed by a number of scenes where she’s overwhelmed by her new emotions. She’s had to play newborn AIDA, Darkhold AIDA, Agnes, Madame Hydra, and now human AIDA/Ophelia. Whether it was just the awkward translation of trying to play an emotionless robot, or the actor settling into the role, she’s been tasked with a lot this season and even more these past few weeks. I’ve noted before how her early work left something to be desired, but she’s really come into her own. On that note, I want to start off by praising Mallory Jansen. That said, the writers and Kevin Tancharoen managed to deliver one of the strongest hours of the season, weaving together the various plots, introducing a few new wrinkles, and giving everyone the chance to act the hell out what they were given. With the finale next week, it’s hardly surprising that this was a gripping and emotionally-dense episode of the series.
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